Robbie Fulks is a singer, recording artist, instrumentalist, composer, and songwriter. His most recent release, 2017’s Upland Stories, earned year’s-best recognition from NPR and Rolling Stone among many others, as well as two Grammy® nominations, for folk album and American roots song (“Alabama At Night”).
Fulks was born in York, Pennsylvania, and grew up in a half-dozen small towns in southeast Pennsylvania, the North Carolina Piedmont, and the Blue Ridge area of Virginia. He learned guitar from his dad, banjo from Earl Scruggs and John Hartford records, and fiddle (long since laid down in disgrace) on his own. He attended Columbia College in New York City in 1980 and dropped out in 1982 to focus on the Greenwich Village songwriter scene and other ill-advised pursuits.
In 1983 he moved to Chicago and joined Greg Cahill’s Special Consensus Bluegrass Band. He taught music at Old Town School of Folk Music from 1984 to 1996, and worked as a staff songwriter on Music Row in Nashville from 1993 to 1998. His early solo work — Country Love Songs (1996) and South Mouth (1997) — helped define the “alternative country” movement of the 1990s. His music from the last several years hews mainly to acoustic instrumentation; it returns him in part to his earlier bluegrass days, and extends the boundaries of that tradition with old-time rambles and sparely orchestrated reflections on love, the slings of time, and the troubles of common people.
Radio: multiple appearances on WSM’s “Grand Ole Opry”; PRI’s “Whadd’ya Know”; NPR’s “Fresh Air,” “Mountain Stage,” and “World Cafe”; and the syndicated “Acoustic Cafe” and “Laura Ingraham Show.” TV: PBS’s Austin City Limits; NBC’s Today, Late Night with Conan O’Brien, Later with Carson Daly, and 30 Rock. From 2004 to 2008 he hosted an hourlong performance/interview program for XM satellite radio, “Robbie’s Secret Country.” Artists who have covered his songs include Sam Bush, Kelly Hogan, Andrew Bird, Mollie O’Brien, Rosie Flores, John Cowan, and Old 97s.
Robbie’s writing on music and life have appeared in GQ, Blender, the Chicago Reader, DaCapo Press’s Best Music Writing anthologies for 2001 and 2004, Amplified: Fiction from Leading Alt-Country, Indie Rock, Blues and Folk Musicians, and A Guitar and A Pen: Stories by Country Music’s Greatest Songwriters. As an instrumentalist, he has accompanied the Irish fiddle master Liz Carroll, the distinguished jazz violinist Jenny Scheinman, and the New Orleans pianist Dr. John. As a producer his credits include Touch My Heart: A Tribute to Johnny Paycheck (Sugar Hill, 2004) and Big Thinkin’ by Dallas Wayne (Hightone, 2000). Theatrical credits include “Woody Guthrie’s American Song” and Harry Chapin’s “Cottonpatch Gospel.” He served twice as judge for the Winfield National Flatpicking Guitar competition. He tours yearlong with various configurations.
Besides country and bluegrass music, Robbie is fiercely fond of Charles Mingus, P.G. Wodehouse, quantum mechanics, his wife Donna, comedy in almost all forms, cooking, swimming laps, the past, Arthur Schopenhauer, Universal horror movies, his grandson and even his sons, coastal towns in the off-season, and rye whiskey, though in nothing like that order.
+ MISSY RAINES
With her latest album, Highlander, bluegrass/Americana icon Missy Raines takes inventory of where she stands at this current juncture in her storied career — this melodic ode to her native West Virginia, which simultaneously serves as an ideal prism of time and space Raines peers through into the unknowns of tomorrow.
“Making this record and having this band has been sort of a homecoming,” the legendary bassist/vocalist says. “I’m at a point in my life where I’ve been able to look back at what I’ve gone through, what I’ve done, and the path I ultimately wanted to take.”
Captured in Nashville, the 10-song LP once again brings together Raines with producer Alison Brown, a bluegrass star in her own right. The record showcases Raines backed by her steadfast group Allegheny, named after the peaks and valleys of Raines’ homeland in the rural depths of Appalachia via the Mid-Atlantic.
“Lately, I’ve realized so much of the music I’ve created comes from personal experience,” Raines notes. “Songs about growing up in a small town, songs about making hard choices when you’re coming-of-age — do I stay in this remote area and try to make a living or do I leave my family behind and face what’s out there on my own?”
Choosing the latter, Raines headed for the bright lights of Nashville, ultimately garnering some of the biggest accolades in the music industry, including 14 International Bluegrass Music Association honors, with 10 being awarded for “Bass Player of the Year.” Raines’ 2018 release Royal Traveller was also nominated for a Grammy Award for “Best Bluegrass Album” in 2020.
And amid this existential quest of sorts for Raines emerges a finely-honed internal antenna within Highlander, one that places her atop this lyrical platform of personal reflection, cultural observation, and artistic cultivation.
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